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It's a good thing to envision success.
However, with any successful job, the consumer should be at the forefront of the mind. It isn't necessarily about the ego of the deliverer as much as it is about the appetite of the recipient. In writing YA Steampunk, I try to keep my audience in mind. Who are they, these people? Who goes to Barnes & Noble and peruses the fantasy aisle in search of Steampunk? Or do th
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This is why the writer's job can't be taken lightly. This is also why character development is so important. If our desires and motives start to dominate those that are natural to our character, then the fans WILL notice. You'll get that one guy who raises his hand. "Excuse me. Yes. Um, why would Captain Bartholomew Vortex make plans to travel to the Cropton Nebulae when he has a pathological fear of Gortangus Squid, which are common to that particular region of the galaxy?"
If the author stammers out, "Well I uh...needed him to go there to move the plot along..."
Then we clearly have a problem.
This character is so important to the reader. Writers are readers too, so we know this. It's the same with any business trying to reach out to the consumer. The grocery stores have to sell things they want to buy and they're supposed to sell the freshest stuff to make us happy. Restaurants serve with a smile even on their worst days. Custodians clean up after us, keeping our sanitation, health and well being in mind. Chefs cook things that taste good. Politicians rule and delegate with the best interests of the public at heart. (Ha. Ha. Haaaa.)
The writer's task is to create a world into which any person can dive when they need release from this one, ESPECIALLY fantasy and ESPECIALLY YA. Do we all remember how hard it is to be a teenager? Angst,
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Hail to the reader. Without you, the writer would be nothing.